Xbox

The Forgotten City’s Journey From a Mod to a Standalone Game

In 2016, The Forgotten City was a big story-driven expansion for a popular RPG and the first mod to win a national screenwriting award. You discover a mysterious underground city in a state of ruin, travel back in time and meet its inhabitants. Then you learn about a terrible curse: If one person sins here, everyone dies. So you try to figure out who’s responsible for the sin that destroys the city, and prevent it – all while caught in a Groundhog Day-style time loop.

The mod was downloaded more than 3,000,000 times, and IGN called it “simply amazing,” but as popular as it was, I’d made it in my spare time on a budget of $0, and I knew I could do much, much better. So, way back in 2017, I decided to develop it into a standalone game, bigger and better in every way possible.

I just had 3 small problems:

1) I had no time

2) I had no budget

3) I had absolutely no idea how to make an entire game

Despite all that, it is now available on Xbox Series X|S and Xbox One, and this is a story about how it all came together. So let’s travel back in time, shall we?

My first problem – no time – I solved by quitting my job. It was insanely risky, of course, especially as I was in the legal profession, where taking a few years out usually means you can’t get back in. It felt like jumping out of an airplane, and my plan was to learn to fly by the time I hit the ground.

My second problem – no budget – I solved by dipping into my savings and applying for grants. After making a rough prototype, I managed to land grants from a benevolent arts funding body (Film Victoria), as well as an Unreal Dev Grant from Epic. The mod and its reception really opened a lot of doors.

My third problem – no experience – I solved by hiring Alex, a programmer who’d just finished making a VR spacewalk sim in collaboration with NASA – a one-man-army who’s done the work of an entire team of programmers over the last four years. We met by chance at a party. Remember parties? Right place, right time.

The highlight of 2018 was seeing the game revealed on stage at E3’s PC Gaming show. After a lifetime of watching E3 it was mind-blowing to see my little game up there. We even managed to win an Unreal E3 award: “Unreal Underdog” for being brave (read: crazy) enough to compete with the big dogs of E3.

It felt like a win at the time, but we later realized we’d made the mistake of announcing the game way earlier than we should have, because we kept finding ways to make it better, and ended up having to delay it a few times.

The highlight of 2019 was exhibiting the game at GDC and PAX East. We were just about out of funding, when I met a publisher called Dear Villagers, who gave us the support we needed to make the game we always wanted to make.

Later they told me one of their scout’s key criteria, in deciding who to publish, is “Would I like to have a beer with this person?”, so never underestimate the importance of relationships. I couldn’t visit them in France because of the pandemic, so I sent them a nice case of beer with a “thank you” note anyway.

2020 was a blur, but two things stand out:

First, we got to work with a couple of extraordinary historical consultants to make sure our game world – an ancient Roman city – has historically authentic art, architecture, costumes, and customs. One, Dr. Philip Matyszak, has a D.Phil from Oxford, teaches at Cambridge, and has written 17 books. The other, Dr. Sophie Hay, has spent the last 20 years excavating the ruins of Pompeii. They’re both really smart, lovely, and down to earth, and helped us immensely.

Second, we finally figured out how to make good dialogue animations, thanks to a call with Shon Stewart, the Lead Animator at one of my favourite devs, Obsidian. No, our animations aren’t Triple-A motion capture, but considering we’re a core team of 3 devs, I’m super happy with the way they turned out.

That brings us to 2021. The game launches later this month.

The last 4.5 years have been terrifying, exhilarating, creatively satisfying, and all-consuming. They’ve also been super productive: We’ve re-written the script (it’s now twice as long), and added new characters, quests, twists, endings, gameplay mechanics, as well as professional voice acting and a new orchestral score.

Whatever happens next, I’m really proud of how The Forgotten City turned out, and I’m really glad I took the leap!

Thanks for reading!



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